Performing Arts (49)
Apr 26 2017
Two Lights at Elite's South Stage
Elite Theatre Company has brought the world premier of Brett Busang’s Two Lights to its South Stage theatre, which is their annex for showing new work, and more experimental productions. Set in the 1950s it is a tight little drama loosely based on the life of Edward Hopper, the great American painter, and his wife, who was also a painter and modeled for her husband.
Jake Mailey (left) as Al and Clayton McLannock as Ed- Photos Credit: Joe Orrego
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Apr 25 2017
Santa Paula Theatre Center’s Outside Mullingar and The Elite Theatre Company’s Engaging Shaw
Though profoundly different in virtually every other aspect, the current offering of two 805 theatres, the Santa Paula Theatre Center’s Outside Mullingar and the Elite Theatre’s Engaging Shaw, feature the exact same theme: the long-term wooings of a woman for a remarkably resistant man.
Jessi May Stevenson (left) as Rosemary, Cecil Sutton as Tony and Rosalee Calvillo as Aoife in the romantic Irish comedy OUTSIDE MULLINGAR by John Patrick Shanley, Photo Credit: Brian Stethem
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Mar 14 2017
A well-worth seeing production of Agnes of God is currently playing at the Elite theatre in Oxnard. It is the first play in a season of challenging and important plays by the Elite this year. Season tickets are highly recommended.
As the play opens, we are given to believe that Agnes is a young woman who has evidently murdered her newborn child while living in a Catholic convent. She seems remarkably and a bit uncannily unhinged and it is up to a court-appointed psychiatrist, Dr Martha Livingstone, with her own Catholic demons to fight, to try and unravel the situation or even decide whether Agnes is sane enough to stand trial. Set as a murder mystery, the play completely upends that genre as it unfolds as a three-way psychological wrestling match between Dr. Livingstone, Agnes, and Agnes’s Mother Superior, who is herself not all she at first appears to be.
Photo credit:Joe Orrego
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Feb 18 2017
Russian American Jews composing an opera about racism in the Deep South circa 1935 featuring a virtually all-black cast? George and Ira Gershwin were considered out of their minds if not outright un-American at the time for such boundary-bending audacity. Their masterpiece, Porgy and Bess, from a libretto by Dubose Heyward based on his novel Porgy was shunned after its initial debut and all but forgotten for decades. In recent years, though, especially since the civil rights movement of the 60’s, the opera has been revived and re-spirited on several occasions using diverse media and genres; recognized at last, as a major American folk opera of unparalleled genius and universal humanitarian message and appeal.
Photo Credit: David Bazemore
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With the wonderful cast and director of the previous installments reprising their roles, the third and last installment of the Nibroc Trilogy, Gulf View Drive, the conclusion to one of the most popular and critically acclaimed projects in Rubicon Theatre history, opened to an energetic and enthusiastic house last night. The play runs through 12 February 2017, and if you missed any of the two previous parts of the trilogy, no worries, this play stands on its own and offers up some first-rate comedy in the process.
(left) Erik Odom, Faline England, Sharon Sharth and Lily Nicksay star in Gulf View Drive, the final play of the acclaimed Nibroc Trilogy by Arlene Hutton .Performances January 25 – February 12 at Rubicon Theatre Company. Photo credit: Jeanne Tanner
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Dec 06 2016
The Elite Theatre of Oxnard presents the world premier of Jason Furlani’s Family Trees, a rambling, good-natured comedy set in Schenectady, New York. With a set that feels just like my late aunt’s house in Schenectady; solid, heartfelt acting, and a very funny script, the play is a great choice for the holidays, full of a warmth and good-will that will have everyone leaving the theatre with a smile.
Photo Credit: Joe Orrego
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Dec 05 2016
Ensemble Theatre Company’s production of Neil Simon’s Chapter Two offers ample evidence why Neil Simon’s plays are some of the most successful and frequently performed theatre in the world. Chapter Two is in many ways one of the best and certainly one of the most uniquely personal plays in the Neil Simon universe.
Understanding beyond all expectation. Caroline Kinsolving and Todd Weeks in Neil Simon's Chapter Two at the Ensemble Theatre Company.
Photo Credit: David Bazemore.
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