Born in Seattle, U.S.A. in 1952. Attended Whitman College, majoring in mathematics; the University of Washington in mathematics, art history and studio art; University of California, Berkeley. Studied art history with Rainer Crone, painting with Jacob Lawrence and Michael Spafford, sumi-e with George Tsutakawa, Chinese brush with Hsai Chen. Wrote on art for Vanguard, ArtExpress, High Performance, ArtWeek, Bellevue Journal-American, Seattle Voice. Seattle Arts Commission Special Task Force for media, and Special Task Force for educational Institutions in the late 70s. Taught art history, color theory, life painting, and design at Seattle Central Community College for 5 years before leaving Seattle in 1984. Current studio is in Ventura, California, north of Los Angeles.Review:Jason Furlani’s Family Trees at the Elite
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Review: Arthur Miller’s All My Sons
ReviewReview: Night Alive at SPTC
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Review: This Isn’t Kansas, Is it?
Review- Review - Open Meeting Closed at the Elite
Last weekend to see this
Museum of Ventura County Seriously Mishandles Asian Pacific Exhibition
Tiger Huang, a long-time artist of considerable standing in the Ventura arts community presented a very special and significant installation piece at the Museum of Ventura County in conjunction with its “I Want the Wide American Earth: An Asian Pacific American Story” this last weekend [18-19 June]. It was a beautiful installation, including a well-done, mesmerizing sound-scape.
Trouble is, and this is just the beginning of the trouble, Tiger’s name and the piece itself are not mentioned anywhere in the Museum’s website or write-up of the exhibition. This is not to mention that though it was a major piece, and certainly time-consuming to produce and install, it was only up for 48 hours. The piece is one of the most significant installation pieces any artist has ever done in Ventura, yet, by the time Thursday rolls around, as far as the Museum goes, it might as well not have existed at all.
Agnes Martin
Review - Oh, How Lovely Do Angels Fall
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Review: What Kind of Sticks?
A World Down the Street

